Showing posts with label crossroads. Show all posts
Showing posts with label crossroads. Show all posts

Tuesday, October 24, 2017

African & folk magic perspective of the Broom & Trees

The well known European aspects of the witch has the broom as an instrument of moving energy, performing marriage and the couple hopping over as a sign of fertility as an implement that contains both sexual polarities and some made of corn fiber. We should note flying ointments being placed on the handle and used internally for "shamanic" journeys, and the pole of the broom as an axis point or world tree.
Jumping the broom was also incorporated in African American folklore which has African roots of stick bundles and can be found in many cultures. It represented the home, change, and new beginnings. The broom represented being scattered and the handle represent God's hand that brings them together.

As the broom represents new beginnings, some buy a new broom for the new year as part of their new year or end of year house cleansings, for a more positive start to the new year, and to leave behind the bad energy

The broom could be made of several trees and plants such as birch for rebirth or cinnamon for love, good luck and prosperity, like a wand, different sacred woods could be used for various intentions as an extension and conduit of the practitioner.



 In neopagan aspects the broom could be used to open and close the threshold and portal of the magic circle depending on the direction and by raising or chasing away energy.

These aspects certainly did collide with other indigenous ideas in the new world. Sweeping and repetitive tasks do lend to a meditative state where the mind wanders or daydreams into a psychic or receptive state to receive messages. When cleaning the house spiritually some tie a white or red cloth around the waist with cascarilla and wear a head wrap as not to be carried away from the spiritual energies being kicked up using song and prayer. The energy or ashe deposited during ceremony in ritual area is also deposited around and blessings are picked up when the spirits see you tending to the area in service.

Floor sweeps of powders and dried herbs are used along with this action to increase intent and cleanse the house of negativity or maintain sacred space in preparation for ritual. Herbs like eucalyptus remove unwanted energy and people from visiting swept from the back door or farthest point out the front door. Some sweep from east to west as the sun sets to chase energy away. A sweep to draw things in for prosperity is done the front door to the back of the house after mundane cleaning so that all the luck isn't swept out. Although there is variations depending on purpose and if one has a backdoor. Special care is taken to the front step and where tricks and powders might be laid against the house occupants.

A broom can be placed upside down behind the front door on the inside of the house to discourage visitors and unwanted people to the house. Some say this encourages poverty and uncleanliness. A broom was hung over the door for protection to sweep away bad energy upon entering, and still to this day by neopagans.

There are many superstitions or folklore about the usage of brooms such as not to sweep against someones feet, under someone or place on a bed, or carry someone else's broom into your home. When you move you need to leave your old broom behind or throw it out because it carries the negative energies such as poverty  from the past you do not want to bring to your new residence. If you move to a new place and see a old broom dispose of it right away. You must upright a fallen broom and watch the way it falls. Superstition from different cultures about brooms can contradict each other, such as not burning a broom.

A broom gathers energy such as deposited at the crossroads to take bits of trash or dirt, to control an area, or gather spirits at the graveyard. Typically then the handle or staff would be tied with a red cloth as it indicated it is now empowered by the dead or "hot". You may see this in Rara band processions in Haiti or against certain altars. The items gathered are then used or the spirit employed. These marching and dancing military-like musical bands are known for activism, popular protest, celebration, warfare as seen with congo aspects. Kalfou is associated with the broom, whip and whistle. As Legba opens the way for Rada and are in divisions of Lwa families, so does the Baron open the way for Ghede, or Kalfou to the Petro nations of Loases, as well as djabs or evil spirits.
Saint image for Kalfu, some use the crucified Jesus
Rara 

 The broom can be used to sweep away the bad much like energy healing movements and the use of herb bundles or brooms on the energy body. After a bunch of herbs is used to say, cleanse the house, the stalks are broken to break the bad energy, sometimes as an asperger to sprinkle solutions. Sometimes also florida water is poured over them on cement and lit on fire. The broom can be sprayed with different spiritual waters before use.

The broom is linked to the dead and spirits as much as the cauldron.
Our palo or baston de muerto is used for calling the dead from the earth by tapping the ground 9 times. This egun stick can be tied with 9 different color cloths for the clothes of the dead ancestors such as egungun dancing masquerade outfits. Many in Sanse also keep a ritual broom to clear the space before misa tied with 9 colored ribbons to indicate the dead. This also indicates the winds of the dead or air. Much like some of the fly whisks of some of the Orisha such as Oya, or whips to keep away unhealthy influences or gather energies. This is also much like the royal fans I wrote about that remove "bad airs" or sheild and protect against spirits. Such as the use of birds or feathers to also sweep away bad energy.
                                                                           Egungun

Legba has the cane for opening to the other Lwa which is tapped 3 times at specific areas which is tied with 7 different color ribbon for the families of Lwa of the higher spirits.
Legba Avrada is pictured with a broom and one is sometimes kept behind the front door for ritual purposes only. He is linked to the Gran Chemin or big road that the Lwa come down on. For this purpose he can be seen as clearing the way. I keep a palm frond bundled one. Legba Avrada who some use the saint Lazarus to depict is said to be a wanderer (which Lebga isnt?) but likely said so because the broom touches many or all places on earth. Some use the image of St Martin de Porres.


We gather dirts from different power areas to make a world/tree or use its powers in folk magic or Palo said to be 21 for the roads and also herbs or sticks/branches as roads or branches that make all possibilities. In Palo the Mpungo would be Lucero the road opener, whose number is 21.

 The palm is sacred to Lwa Mambo Ayizan among other Lwa as one of the possible world trees as brooms had/have wooden handles and palms are used to sweep the streets. The palms for her are shredded and are used to filter energies and protect in the temple. The sweeping end of the broom thus is corresponded to earth/dirt and roots/the dead. Palm fronds can be hung over the door like a sweeping car wash and are often used to cover and protect the new initiates face and with the straw hat in Haitian Vodou. A broom likewise can be hung over the front door for protection. Ayizan is associate with the house temple or Hounfort, the priesthood and initiations. She is Loko's wife who has an aspect also dealing with priests and healing leaves of the tree some see as an path of Legba, and an aspect of Ayizan as Legba's wife.

When I visited Cuba, I saw men sweeping the street with long palm fronds. This is done many areas of the world such as Spain and India.

Trees are viewed as one natural repository of Lwa along with stones and other features. 2 are often planted as a doorway near the entrance of the temples. The potomitan or central pillar in the temple is just that an axis mundi like a tree to also the upper realms in which the spirits travel the trunk to our world or as the ghede come from the ground. Each Lwa also has their favorite trees or are associated with them for where they are located, and Dhambalah a snake Lwa hangs on them.

Trees were natural meeting places and groves for spiritual work, along the Loases of the forest and maroon escaping slaves to the mountains for revolution and the Indios. Trees such as palms or Ceiba/Mapou/Iroko/Kapok silk cotton were viewed as access to ancestral realms. Often the forest was used as burial grounds. Old broom handles could be used to beat drums, again made from tree trunks. The trees were necessary for survival of medicine and foods, as well as the sticks and leaves of magic usage. Winds that rustle the tree leaves is one voice of the Mpungo Osayin. The Lwa Gran Bwa is our like spirit who is a tree that rules over all wild plants. Some brooms are made from long grasses in Africa.
Many other spirits use brooms such as the Lwa Filomez, and some spirit guides like gypsies and madamas for spiritual cleansing and as a spiritual tool.



The vueltas of St Lazarus are also associated with the purifying broom, the dead, earth and sweeping of dirt floors. He uses it to spread sesame seeds of diseases, to clean and remove conditions, but the ajon-joli are also used in prosperity work.

Much like Babaluaye (the king-father of earth)'s sacred costumes or Omulu's figure besides skeleton was covered completely with sweeping palm raffia to hide his disfiguring scars from disease and smallpox. Their dance in spinning sweeps and kicks up dirt and the dead. This spirit also known in different tribes as Sak/gpata is viewed as one of the oldest and ancestral Vodoun.

I once had a dream of him a skinny scarred old dark black man was watching me from a thatched hut In Africa, and I was cleaning the dirt temple yard with a bundle of scratching sticks tied into a makeshift broom. An apprentice then showed me a saint statue of St Lazarus that she was cleaning. There were women working in a small garden where I could make out cabbages.

                                                                                                  Sancista 7 Crossroads







Monday, March 6, 2017

Veve are Lineage

Veve are used for many actions.
They are used as a mouth or portal to accept feeding the Lwa. They are a portal through which forces can move, activated by the priest, their tools, and pwen/point/license/access given in initiation or through bloodline and given foundation. The closest english word I could come to is "attunement", alignment and agreement/oath. The spirits within African traditions are ancestors or ancestral spirits that followed a people, a tribe's culture and their land. Through joining a temple you are adopted into their lineage, along with any connections that you have which were somewhat broken (if you do not have an unbroken family line) and can be repaired. Usually temples are a gathering of families or run by family.

Veve and pwen are lineage, from lineages. A pwen also can be held by many things. Veve are passed down in the family and/or through temple lineages for the spirits that are served locally. The Lwa recognize these Veve as signatures, and recognize the priest because we also have these same spirits. My Veve belong to my lineage and I have never seen them publicly. They do have some similarity to other Veve of the same Lwa that other people have.

 If you are using a Veve off the internet or in a book, you are approaching the Lwa through or tapping into someone else's lineage. The Lwa will also expect you to greet them a certain way with songs and the tcha tcha, shekere or asson received by priests or passed down by families. This will notify them of who you are children of if you are branched farther from same roots. It can be thought of as a calling card, signature, or telephone number. Some Veve are created for artistic and not spiritual purposes or value. If you do not use a lineage Veve properly, this may upset some Lwa, or they will not answer.

 You also must be careful, a Veve for Dhamballah I saw on the internet was actually for his Petro version.

Some Lwa do not have Veve. Veve are not the only way we can work with Lwa, since the pwen, access is internal. Therefore we also have no absolute need of statues, representations and images. They help to manifest the energy of the Loases which flow internally through us in physical mediumship.

Veve were created in the new world, there were none in Africa. They probably created by Congo influence, indigenous Taino pictograms, and perhaps some European alchemist grimoires and sigils.
Taken from Miguel Sague, from Caney Circle

Public Veve for a type of Marassa Lwa: twins give rise to a third: triplets Petro or child born after
Some of the Veve for the drums also have a tri-medicine wheel motif


taken from palomontenegro

Technically as we salute the 4 directions, this is around the pillar in the temple as center. 
Where spirit and matter interact.

Congo cosmogram, Palo firma/petipemba for the 4 winds and a Lucero. Lucero is the Mpungo similar to the Lwa Legba or the Orisha Ellegua. The cross symbol is prechristain across many cultures. To the Congolisa the cross symbolized Nzambi, God, as well as the earth/universe.
Public Veve for Public Legba

Masonic Symbol: square and compass
Public Ayizan Veve

Public Erzulie Freda Veve

The same symbol can be seen on other veve such as to the loases of various Oguns, Sobo  Bade and Ghede & more

There is a Veve called Milokan (thousands/ mil of camps) which feeds or can call all the Lwa.
 It is a mega Veve in which individual Veve can be seen together. 
This is so no one is left out and has hurt feelings, it is more economical in terms of time, and it can be used to search a solution, or a persons spirits.

Veve have a sense of balance and imbalance that can created for a reason.They can be changed in the moment for specific energy needed.

Veve can be drawn in several materials such as ground corn, and other substances I will not discuss and sometimes for specific Lwa. I have never seen certain substances we also use mentioned in public. There has been some others mentioned in public such as wood ash. brick dust, gunpowder and wheat flour. The substances used are depending on the purpose of ritual and the Lwa being called. They can be traced in the dirt or sand with a stick or informally they can also be drawn in chalk but not traditionally. They are made by bending at the waist and pouring the material, not by kneeling or sitting. They can be danced over, and are usually scrubbed or washed over after the ritual is over.
                                           From Enchanting Scores

Veve have symbols that can be read, and contain usually the crossroads of Papa Legba, the Lwa spirit who for the most part, opens the way to the other rada Lwa. The veve also may contain other images such as tools, weapons, stars, points, crosses, and initials. There are points on the Veve on which certain items are placed such as plates of food, sacrificed animals in other lineages, candles and other things.

Different African tribes and people mixed in the new world to create different traditions and lineages, in Vodou we are predominately west African in spiritual heritage. Therefore we each have our own spirits, and ways of working with them. We do not use the firmas or petipembas from Palo which is Cuban and Congo based, nor do we use the ponto riscado as in Quimbanda in Brazil. Lucumi does have some symbols but they are also very different.

I hope this has helped your understanding of Vodou & Veve lineage!